Showing posts with label Baltimore. Show all posts
Showing posts with label Baltimore. Show all posts

Tuesday, January 19, 2010

Has the Poe Toaster called it quits?


Baltimore, Maryland--I think the Poe Toaster--whoever they were over the years--made the right choice in calling it quits. Why? It keeps the memory and the mystery intact and ends things on a good foot. There was good reason to. With the problems of nitwits trying to unmask the shadowy figure who each year made a toast of cognac to Poe, his aunt, and his wife, and left roses to their memory, or senile old men claiming they were that person, it was time to close the curtain. Why make any changes with a legend? Why let someone finally ruin it?

Just three years ago, a self-proclaimed "Poe scholar" named Sam Popora claimed that he was the Poe Toaster stating that he began in 1967, but forgetting that back issues of Baltimore papers record it as having begun around 1949. That's an incredibly bad lie, yet the press swallowed it, sending-out dozens of journalists and video crews to speak with him. A brief search of the Internet would have told them all they needed to know, that Popora was full of shit! Hit on the Poe-labels for more, I was thanked by the director of the Poe house at the time in my comments section during the Popora mishap.

The mystery is
very much intact and I hope that the individual who began this journey in 1949 and his family take the facts to the grave. One of the points to life is that there should be mystery to it or it's boring. We need these symbols to feed our souls. Our souls will remain fed on this count, at least for the foreseeable future. I don't expect everyone who reads this to understand why all of this is important, but let sleeping dogs lie, and let the dead finally have their rest.

Mr. Poe's life was a troubled one, and fighting over his remains and trying to attach oneself to his legacy as his literary executors in the 19th century did; Popora in this one attempted to do and also failed; as well as Philadelphia and Boston have during this decade; is undignified. The great American writer is never leaving his resting place in Baltimore, it's never going to happen. Poe died in that city and belongs buried there. Richmond--perhaps--has some claim to him, but Poe lived in Baltimore and has been interred there for well over a century without contest. He is our national treasure, and the man who introduced many of us to mystery. Fitting then that this mystery related to him should remain one, hopefully for all time.

Thursday, August 27, 2009

Edgar Allan Poe @ J to the Power of 7


WWW--Of all of the pieces, articles, and observations I've written on this site since August of 2006, I can say that this series written on Edgar Allan Poe comprises some of the very best of my writing. I have related very deeply to Poe almost my entire life for a host of reasons and consider him above Whitman and the New England "mystics." His only real peer in my opinion is Mark Twain, possibly Herman Melville, and Ambrose Bierce coming close on his heels.

Poe saw the horror that was the America of his time and the darkness of the human soul, while Melville, Twain, and Bierce saw where it was all heading, Melville even before the American Civil War in his prescient short story, "Bartelby, the Scrivener: A Tale of Wall Street" (1853). Read this story now and tell me with a straight face that the man wasn't brilliant, wasn't aware of the wrong-turn America began taking around that time, now culminating in what could very well be the endgame of the species.

For being the bearer of bad news, Melville's incredible popularity waned, and he died poor and all-but-forgotten. Edgar Allan Poe wasn't much luckier, yet the notion that he wasn't popular or famous during his short life is inaccurate--he was. The problem was that Poe's publishers were greedy scumbags who paid him poorly, just like most employers nowadays; he was literally the very first American to attempt making a living by writing alone, which should tell you something about the rest of his literary peers at the time.

At the very end of his life, things were looking up. I admire all of the aforementioned writers deeply, but with Poe--with Poe--I feel like one of many of his humble protectors. In the last few years, morons in various America cities have tried to claim him as their own, and without any merit. Philadelphia is perhaps the most egregious case in their claim to his remains, but Boston might be even more galling, the town he hated the most and called "frogpondia." What do these people want?

Publicity, of course, and God knows they don't have the moral courage Poe had to be himself, for better or for worse. What they want is to take the easy route: none of the suffering and poverty that the great writer had to endure, with some of the benefits he was barely able to have in life. The legend came after his death. Riding on the coattails of a dead man who suffered the tortures of the damned is immoral. Enjoy (or don't)...


Saturday, January 19, 2008

The Poe Toaster Enjoys an Unmolested Anniversary


Baltimore, Maryland--He's been doing it since as early as 1949, and he got to do it again this year without being molested by Sam Porpora or a bunch of punks. It appears that Mr. Porpora is still claiming his false title of being the 'real Poe toaster,' but the legend itself was allowed to continue into another year.

Each year the anonymous toaster comes in his nondescript outfit, leaving three red roses and a partially-emptied bottle of cognac at the original site of Edgar Allan Poe's grave at the cemetery of Westminster Presbyterian Church.

Here's to keeping a mystery alive, we need them. There's no mystery to the fact that the Poe toaster isn't Sam Porpora, one only needs to know how to count-backwards. This isn't 'The Gold Bug,' it's a demented old man clutching pathetically at fame.

Thursday, November 01, 2007

Why Edgar Allan Poe Belongs in Baltimore


Baltimore, Maryland/Philadelphia, Pennsylvania--As a disinterested party living in Indiana, this whole affair seems somewhat concocted and at the primary instigation of one Edward Pettit, who wrote a provocative piece on October 2nd in the Philadelphia City Paper (a cover article) calling for the disinterment of the writer from Baltimore to the city of brotherly love.

Pettit is a literary scholar and critic living in Phoenixville, Pennsylvania, and has a good pedigree as as a member of the National Book Critics Circle. That said, his own piece contains elements that undermine his argument on a number of key-points.

Overall, the reasoning by Mr. Pettit for why Poe belongs buried in Philadelphia is flatly wrong: Edgar Allan Poe always considered himself a Southerner first, and was raised primarily in Richmond, Virginia. This is a frequently overlooked fact, perhaps more than his time in Philadelphia is. Beyond this obvious fact is what we all know--that Poe died in Baltimore, and that he wrote his very first horror short story 'Berenice' while in the city.

The story was published in 1835, in the Southern Literary Messenger. This has been astutely noted by the Poe House and Museum's curator Jeff Jerome, in an October 10th issue of the Baltimore Sun, but is widely known, and certainly known to Mr. Pettit.
But it appears a number of individuals with selfish interests would like to hijack the legacy of our greatest writer for the sake of local prestige and those coveted tourism dollars. Remember back to August when the doddering Sam Porpora claimed to be the Poe toaster, an obvious and bald lie. Yet, the press ate the story up with undue credulity. The call by Pettit is begging-the-question of where Poe's body belongs, and engages in some very peculiar logic. While the writer and critic has uncovered some very interesting details on Poe's time in Philadelphia, he makes the peculiar assertion that the great writer somehow felt in his element there and would have had a large funeral in the city of brotherly love at the time of his death...had he died there. As we all know, he did not.

As historians--and Pettit himself--have pointed-out, dying at an early age in Philadelphia during the time Poe resided there (1838-1844) would have been fairly easy. The city was riven with ghastly official corruption, labor violence and strikes, race riots, rampant and unsolved crime, poor hygiene, runaway disease, and squalid poverty. Appropriately, it all sounds a bit like Poe's own life (because it was), as well as a page from one of his own short stories.

All of these factors were typical of conditions in the city centers at the time, but Philadelphia was one of the worst examples (and still is), along with New York City at the bottom for its inhumanity and modern indifference. Another city had the same conditions: Baltimore, a fact made clear by the very few facts that we know surrounding Poe's mysterious death. Note this passage from Pettit's op-ed from October 2nd:
Poe, if we define him by his macabre works, felt right at home. Could he have experienced all of this in other cities? [Ed.-As a matter of fact, he could have.] He most certainly could have, but it was in Philadelphia that he wrote most about these kinds of experiences. Before living in Philadelphia, his horror tales were more grounded in a European Gothicism. Post-Philadelphia, Poe's personal problems — erratic behavior, sporadic drunkenness, poverty, his wife's illness and death — take over his life, diminishing his creative output until his own early death a mere five years later. (Philadelphia City Paper, 10.02.2007, http://www.citypaper.net/articles/2007/10/04/were-taking-poe-back )
The problem with Pettit's so-called 'logic' should be obvious even on casual inspection--he notes that Poe's writing tails-off after Philadelphia, and he makes a bald move to separate the writer's life from his work while simultaneously saying they are one. This reveals the self-serving component of a Pennsylvania son. To say it has an element of the tedious and the banal would be too fair.

For Poe to return to Philadelphia would have been some kind of nightmare for Poe, and it still is to many living there today. While living in Philly during the late-1960s, director David Lynch witnessed a murder in front of his own flat. This has proven to be the genesis of his own confrontations with the darkness throughout his own original body of work in film. Should the Montanan David Lynch be interred in Philadelphia when he dies? He's lived in Los Angeles since 1970. Abraham Lincoln lived in Indiana for over ten years of his life--should he buried here? There are equally serious questions.

Poe didn't need Philadelphia in any exclusive sense to find horror along the American landscape of his time. Like many fallen Southern aristocrats, he feared 'the mob,' or 'the crowd' of 'rabble.' Crime, rioting and strife were everywhere, punctuated by the occasional slave rebellion. Poe was not enamored with democracy. To his eyes--rightly--chaos was everywhere. Labor conditions were so horrible that they spawned violence, rioting, strikes, and the birth of organized unions. Flight to the frontier offered little respite from misery. Just two years before his untimely death, we would see the ethnic cleansing of the Trail of Tears, while the year before brought us the horrors of the Mexican-American war under that forerunner of George W. Bush, President James K. Polk. Slave rebellions occurred during Poe's life as well, and poverty and rioting were a common part of life.

In 1833--just two years before Poe wrote 'Berenice'--the Nat Turner slave rebellion occurred, nearly touching-off civil war decades before the real thing exploded in 1861. The heads of the rebellious slaves were fitted onto posts as a warning to other rebels. There were other economic woes. Mr. Pettit mentions the economic depression of 1842 (occurring while Poe was in Philly) in his sprawling piece, which is really more a testament to typing than a valid attempt at proving a thesis. This fitting example should prove the point:
Between his reputation for writing imaginative fiction and withering reviews, his writings were sought after by many other periodicals around the nation." Poe's initial successes in the city diminished by 1844. Poe's irascibility and drinking problems, exacerbated by his wife's tuberculosis, began to alienate the editors whom Poe needed to court for work. (ibid)
Yet:
Had Poe died in Philadelphia, there would have been a huge funeral. The penny press would have trumpeted the announcement for a solid week. Philadelphia has always had a way of celebrating its disasters, its ne'er-do-wells. Poe, found delirious, possibly drunk, in a tavern, taken to a hospital where he dies raving like a lunatic? ...True enough, while newspapers around the country were maligning Poe's name, Philadelphia's Quaker City Weekly was blasting a clarion to defend it: "As an author, his name will live, while three-fourths of the bastard critics and mongrel authors of the present day go down to nothingness and night." Poe still had friends in Philadelphia. (ibid)
Pettit waxes faux-nostalgic on how there would have been parades in the city of Philadelphia had Poe died there...but history isn't about 'what ifs,' as any credible historiographer will tell you. What seems most likely is to be found in his own article--that Poe hated the city and its squalor, its crime, its indifference, and that he feared the people of the city who Pettit claims would have championed him. It's a ludicrous assertion.

The city of Philadelphia was not good for him or his young wife who was dying from tuberculosis the entire time. Poe found the dark city to be a slice of hell. Had the support for him been so ubiquitous as Pettit implies, why did he have to leave to find work elsewhere? All he had were the 'editors,' and his friends were few in the city of brotherly love. Poe earned much of this animus due to a very unstable nature made worse by his alcoholism. Very few people attended his funeral in 1849, as he likely would have had it.

What is well known is that Poe contributed greatly to the indifference and animosity--if not outright hatred--he was frequently greeted with, and like most writers of his time, he was treated very poorly indeed by his publishers and 'editors.' Note also in Pettit's piece that he willfully ignores the fact that Poe wanted to be known as a poet, and that the horror stories were a way of paying the bills to his mind.

'The Raven' was a new step in his writing career that melded both together in way that was probably more pleasing to a very troubled man with a very miserable and unsatisfying life, but a good part of the misery was of his own making. That life, and his works, are inseparable, and Mr. Pettit knows better.
It's unlikely Mr. Poe would have wanted to continue his vagabond life on-the-move in death as he had in life. Lastly, in what is already an unwarranted piece overall, Mr. Pettit enjoins his fellow members of the crowd to break the law and disinter Mr. Poe's remains by traveling down I-95 to Baltimore, echoing the lawless attitudes of 160 years ago that the writer so feared.

You're not taking anything back, Mr. Pettit, he was never yours. What's likely is Poe will never leave Maryland, lawsuits will drag-on well after all of our insignificant lifetimes, and that an armed guard will be indefinitely posted at the Westminster Burying Grounds if it's necessary. You can bank on it.


Wednesday, August 15, 2007

A Spirited Conversation with author William Keisling Part II of II



"It is impossible that any deed could have been wrought with a more thorough deliberation. For weeks, for months, I pondered upon the means of the murder. I rejected a thousand schemes, because their accomplishment involved a chance of detection. At length, in reading some French memoirs, I found an account of a nearly fatal illness that occurred to Madame Pilau, through the agency of a candle accidentally poisoned: The idea struck my fancy at once. I knew my victim's habit of reading in bed. I knew, too, that his apartment was narrow and ill-ventilated. But I need not vex you with impertinent details. I need not describe the easy artifices by which I substituted, in his bedroom candle-stand, a wax-light of my own making, for the one which I there found. The next morning he was discovered dead in his bed, and the coroner's verdict was, 'Death by the visitation of God.'" --Edgar Allan Poe, 'The Imp of the Perverse,' 1845.
 

The murder of Jonathan P. Luna is a sprawling case involving municipal, federal, and organized crime entities. It also reaches into the politics of Maryland and Pennsylvania, and without Bill Keisling's book, "The Midnight Ride of Jonathan Luna," we wouldn't know many of the problems with the government's story. Like the night ride of Paul Revere, Jonathan P. Luna is still warning us of the approaching threat...from his grave. We only need listen to hear his warning. He might be telling us where Special Agent Steven Skinner was that night.

Like the horror of a tale by Edgar Allan Poe, the murder was committed with extreme malice and some forethought. Whoever murdered assistant U.S. attorney Jonathan Luna in the first-days of December back in 2003 is still free, running around. A vicious murderer is free. Perhaps they're still murdering others out there as I write this, roaming the streets of Baltimore, and the mafia environs of Pennsylvania. In our second installment of this conversation, Mr. Keisling and I hit on a number of interesting themes related to the murder of Luna, as well as its cultural context.
One needn't wonder why modern horror arose in America when considering such crimes as the immolation of the Dawson family in Baltimore, or the discovery of the mutilated-corpse of Jonathan Luna, face down in a Pennsylvania stream, states-away from his office and home. Central to all of this is the trial of Walter Poindexter and Deon Smith, proprietors of Stash House records, and known heroin dealers. It was known during the trial of the two (on completely unrelated drug charges) by the U.S. attorney's office under Thomas DiBiagio, that Poindexter had likely murdered one Alvin Jones.

Special Agent Steve Skinner surely knew this was a fact, as the crime was drug-related, and required prosecution under federal law. This was Luna's stance, and no deals of immunity or skirting the crime in the trial were acceptable to the assistant U.S. attorney. Where was the "Safe Streets Task Force" when the Dawsons were calling 911? Watching Stash House's Poindexter and Smith, and chasing their informant Warren Grace around. Why weren't the Dawsons' 36 calls forwarded to the federal task force? There are a lot of unanswered questions surrounding all of these events in Baltimore during the period surrounding the murders in Baltimore and Pennsylvania.


Matt Janovic: Does anybody know what the whereabouts of Special Agent Steve Skinner were on the night [and morning] of Luna's murder?

Bill Keisling: I think that's an important question. ...With a murder, you want to know [where everybody was]. Usually, a murder is a very simple crime with people right there, having committed it. You know, for example, a shooting at a Burger King or a dry cleaner's--you want to know who was there, what was everybody's alibi is, and so that's we have to do that with this case. ...

Matt Janovic: So this hasn't been adequately addressed by any investigation?

Bill Keisling: No, and what I'm trying to do is point people's attention to that very question. The family and the public needs to know where everybody was, and it's just unacceptable not to tell us. You know, again, if this was your family member you'd have a right to know where everybody was. ...You know what? We're going to find it out.

Matt Janovic: So, we don't even know where [informant] Warren Grace was that night, do we?

Bill Keisling: Well, a read of the records says that he was being ferried back-and-forth by agent Skinner and [Baltimore PD] Detective Tom Moody of the quote, unquote "Safe Streets Task Force"[to a Philadelphia jail]. And attorney Ravenell--one of the defense attorneys [for Smith & Poindexter]--wanted Skinner and Moody (this is the last day of Luna's life) to be removed from that duty. They wanted U.S. Marshals to be doing it. Where Grace was being kept was the Philadelphia Detention Center, away from Baltimore while he testified. And the presumption is that they were taking him back-and-forth to Philadelphia before-and-after the trial--that is when they weren't taking him for conjugal visits, and God knows what else...to Disneyland to do heroin... So, here you have Luna driving halfway to Philadelphia that night. Draw your own conclusions.

Matt Janovic: I noticed that, that in the [official] timeline his car avoids Philadelphia at some point.

Bill Keisling: It's like it's driving around Philadelphia--somebody doesn't want to be seen. ...Again, draw your own conclusion.

Matt Janovic: One of the things that I found very interesting in your book was that Special Agent Skinner seemed to know quite a bit about Luna's being in trouble, or subdued, on the day of his no-show at the Poindexter/Smith trial...

Bill Keisling: ...And that's a very important point. In the very last chapter of the book, called "No Man, No Problem," the court records of that are the most remarkable things I have ever read. It's [also] one of the best things I've ever written. There are a couple things: here they're saying that Luna didn't want to do this case. He says the plea deal is unlawful"because Poindexter has committed this drug-related murder [of Alvin Jones]. He says it's unlawful--repeatedly. [laughs] There are all-kinds of meetings and everything else.

The two really important things that happen on that day while Luna's laying face-dead in the stream: they're [federal attorneys and the FBI] up in his office trying to get that plea deal pasted together--so that's called a crime scene, they're violating the crime scene. This would be akin to if you or I and people we knew were in an office and one of their people goes missing. They would know, if they're up in the office, fooling around with those records, that they're going to be in trouble. Well, I think the Justice Department is in trouble, they violated that crime scene, and they're pretending not to know what a crime scene is. First point.

The second point is: as you point out, they're mysteriously telling the judge, "Oh, we're concerned about Luna," while they're up in his office doing this stuff. So, on the one-hand, they're pretending not to know that it's a crime scene, while on the other hand they're running around saying, "Oh, we've got to look for him, we're worried about him," when, as you know, the day before, Luna was late. I made the point that he could have been out skylarking, getting a cup of coffee. They're acting in a very strange way.

Matt Janovic: Has Skinner ever explained his behavior and this air of foreknowledge?

Bill Keisling: No, and we need to have congressional and public hearings about that.

Matt Janovic: One person who seemed to be prominent in the book [Midnight Ride] was the court stenographer. He seemed to be more concerned about the facts surrounding Luna's murder than the FBI.

Bill Keisling: Well, he liked Luna! That's the whole point: that everybody liked Luna, except these goons in the FBI. Who then put out this crap--these blatant falsehoods--to destroy his character [after his murder]. In New York City, we just had two policemen murdered in the line of duty, and you don't hear--I don't know of any other case where you have someone in law enforcement go down, and you have people putting-out what a bad guy he was....except in Luna's case.

Matt Janovic: ...Do you think that a part of Baltimore's problems emanate from organized crime domains in Pennsylvania?

Bill Keisling: Oh certainly. Historically, Baltimore was always a pick-up area between New York, Jersey, Philadelphia, and Pa. mobsters. They always have their own home grown stuff, but it was always fought over. One of the things that's documented in the book is where there's Justice Department figures that there are 50-60 thousand heroin addicts within Baltimore, and another 50-60 thousand addicts in the outlying areas. So, you have around 120,000 heroin addicts, and you do the math...that's a billion dollar industry [per-year].

Matt Janovic: It's massive.

Bill Keisling: It's massive, and obviously it's [the] mob, and obviously for it to continue, it's police corruption.

Matt Janovic: Yeah, it couldn't continue any other way.

Bill Keisling: Again, look at the Warren Grace case. You have an informant dealing heroin, and they know it. They catch him with heroin the same day the Dawson house [burned-down].

Matt Janovic: Do you think that that they [the Baltimore FBI and U.S. attorneys office] were concerned about that serendipitous moment?

Bill Keisling: I think it's what I say in the book--normally, this stuff goes on all the time. The Baltimore Sun and the Washington Post are in the tank, nobody cares, so they figure, "Who's going to give-a-hang?" And what happened when the Dawson house burned down is that suddenly a lot of people cared. Luna was left holding the bag, and he couldn't have liked it. He grew up in that sort of an environment, he wanted to help people like that, and instead he sees that he works with people who are dealing heroin that are protecting perpetrators.

Matt Janovic: I can't imagine he would have done nothing about it.

Bill Keisling: I can imagine that there could be U.S. attorneys and assistants who don't care about that sort of thing. But it seems from Luna's victimology, that he would be the one who would be most likely to care about that sort of thing.

Matt Janovic: Right, he had direct experience with it [drug-related crime] in his childhood [in the Bronx].

Bill Keisling: Yeah, and I find it impossible to believe that Jonathan wouldn't care about that. And again, in the book, his friend Dan Rivera says [paraphrase], "Did you stop to think that all the loopy-things he's doing during the trial were intentionally to get the judge to order an investigation of Skinner?" ...

Matt Janovic: During your investigations, were you ever threatened?

Bill Keisling: Ohhhhh, just by family members who wanted me to do other things! ...My mentality has always been that, I 'd really rather write novels and that I'll probably get back to it. I just think that there's a role in society for writers to write about these things, and we have to do it. I've always been afraid of what happens when people don't do this. ...

Matt Janovic: Why do you think the FBI wanted to take-down Stash House records so badly, and allow an informant like Warren Grace to run around terrorizing his neighbors and deal drugs?

Bill Keisling: Well, the book gets into that. The court reporter makes the point that, here they have 100 hours of [surveillance] tape--this isn't 'Gone With the Wind.' ...You need 40 seconds of tape to have somebody taking the drugs and exchanging money for it, case closed. ...Here's what the public should understand: at the very time that the Dawsons were trying to get help (before they burned alive with their kids), the FBI's Safe Streets Task Force was trying to take over a rap music studio. That's what they were busy doing--dealing heroin and trying to take over a rap music studio...

Matt Janovic: But couldn't that have been [U.S. attorney Thomas] Dibiagio's fault?

Bill Keisling: Although he's in-charge, if you get into the history of the FBI, these guys pretty much do what they want. Relations [between the Baltimore U.S. attorneys' office and] with the Bureau weren't all that good. The point is, when the Dawson's home burned down, you have this guy who did it--Darrell Brooks--[and] you have DiBiagio coming-out saying this drug punk's going to be put away forever, but he doesn't mention the drug punks he's responsible for. I think they thought Smith and Poindexter would flip, that the FBI would be controlling Stash House records, and I think it was almost cynical and funny to them that you would have all these young rappers coming in and rapping their crimes into the FBI's microphone.

Matt Janovic: So, would they have just kept running it [Stash House records] as a business, as a front for years and years?

Bill Keisling: That's a good question, and I think the record shows that that's what happens.

Matt Janovic: ...I suppose this is getting into really arcane federal statutues, but what if they ran-a-profit?

Bill Keisling: [agreeing] What if they put-out good records? [laughter all-around]

Matt Janovic: What if they had a hit?

Bill Keisling: [laughing] I don't know Matt! [a hilarious conversation on "mother-approved" pornography ensues, as well as the bizarreness of what government-approved rap might be] ...the whole thing was incompetent: Skinner, Moody, the Safe Streets Task Force, the death of the Dawsons was an atrocity--the public should understand that family burned to death because these guys were dealing heroin, they didn't want to answer the phone, and they were trying to take over a rap music studio. What was going on, and what wasn't going-on?

Matt Janovic: One gets the feeling when reading 'The Midnight Ride of Jonathan Luna," that either not much has changed since Edgar Allan Poe lived there [Baltimore], or that things have come full-circle. Which do think might be the case?

Bill Keisling: Oh, I kinda like your idea that not much has changed. In the Poe case, actually he was found dying just a few-blocks away from that federal courthouse. Now the best guess is that he was a victim of a practice called "cooping" where you would take unsuspecting people and give them liquor and put different clothes on them and march them around to the polling places. The polling place bar where he was found outside of, a week-or-so before (he couldn't have known), but it was charged that that practice was going on there. It was a sheriff's election. I think Edgar Allan Poe might be the most important writer America has produced.

Matt Janovic: Absolutely. I have to ask a question [relating to the case of] Ms. Palfrey. It's interesting that in both cases--that of [former Baltimore Police Commissioner] Ed Norris and Ms. Palfrey, that you have involvement of the IRS, harrassment of said defendent's families, use of "cooperating witnesses" (or "confidential informants")--but in Palfrey's case, FBI investigators are curiously absent. Why do you think that is?

Bill Keisling: I'm sure they're busy doing other things, huh? What I say in [Midnight Ride] is that you don't often see the FBI's fingerprints, they're more like little traces. You know what I mean?

Matt Janovic: Their role can sometimes be submerged.

Bill Keisling: Right. You can see little traces of it, almost like Luna's EZ pass. You see these little clues, and I think that's the way they like it.

Matt Janovic: What do you think is the significance of this new development with Luna's father contacting the Lancaster [Pennsylvania] county coroner?

Bill Keisling: Well I think his father has the right to that, and what happened here was this gadfly went and filed on his own behalf saying he was representing the friends and family, and it gave the courts the excuse to shut everybody out. But that said, I interviewed the undertaker, and I know what the wounds were, and they're pretty horrific. I think that there's disinformation that they put out--suicide, bogus information about Luna's alleged personal life...you put out stuff like that to distract people from what they should be looking at; and what we should be looking at is the Safe Streets Task Force, Skinner and Moody, their handling of Warren Grace, the deaths of the Dawsons--I think that's where we need to be turning our attention.

Now, where it really ties-in with Palfrey is, that in Pennsylvania, in a murder case, you don't release the autopsy report because you want to have information there that only the perpetrator would know about. So, it's a tool for law enforcement to keep certain cards close to the vest, so that you can identify the true perpetrator who would have information about this. That said, what's in-common between this case and Palfrey's is, the Justice Department isn't acting in good faith--as we saw with Vitter and Tobias--they're actually concealing law-breaking with their actions, and that's unacceptable. ...The public can take the truth, the public is smart [enough]. 

Part I:


End of Part II

Statement of intellectual ownership: All content in this interview (and all content on this site produced by the Editor), and its subsequent part are the intellectual property of Matt Janovic, sole proprietor of this website. Quotations of more than four lines requires written permission from the author.



Monday, June 25, 2007

THE FEDS TAKE NOTICE (PROBABLY A BORED CLERK)


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--I try to encourage my readers to view the details on our counter on-occasion, it's frequently an eye-popping affair: we've had the Sergeant-at-Arms of the Senate's office, several congressional offices, the Department of Education, the Department of Justice--you-name-it, they've been here, and probably even the CIA.

Hey, people get bored. Here's the one from the Social Security Administration...in Baltimore.



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Tuesday, June 12, 2007

Want to understand the genesis of the Palfrey case better? (buy this book)



Baltimore, Maryland--It's called "The Midnight Ride of Jonathan Luna," by author William Keisling, and it's even being read by Maryland state politicians (who are then attacked by the media for daring to read it at all).

Ms. Palfrey has told this writer that this could be part of the "genesis" of her case. Keisling's site has numerous articles on the "Baltimore cesspool of muck," as Palfrey calls it, and they're essential reading regardless.
William Keisling's site: http://www.yardbird.com/index.htm

  [Ed., 08.28.2008--It would behoove a President Obama to push for the solution to this case in his first months in office.]